Then this “catch” of Bryansk customs officers was included in all criminal reports, and then received a wide public response. The fact is that Anastasia Voronina-Francisco turned out to be the daughter of the famous Ukrainian actor Vyacheslav Voronin and Lydia Fedoseeva-Shukshina, who does not need a special introduction. The Russian man in the street, accustomed to public scandals, wondered what the famous mother would do to save her unlucky daughter. Lidia Nikolaevna did not utter a word, and Nastya, according to the court verdict, was sent to colony N5 of Vyshny Volochok for 3.5 years. Two years ago I visited her. Then she warmly remembered her father, her Angolan husband Nelson and her dark-skinned daughter Laura, with whom, after the end of her term, she was going to go to her husband’s homeland, where she had previously lived with him for several years, but because of the war she left the country she loved. She also complained about her health (see Trud-7, October 9, 1998).
...Recently I decided to inquire about Nastya, called the head of the “five” Galina Vladimirovna Ivanova, and she said that Voronina-Francisco had been released under an amnesty, and gave me her Kiev address. IN telephone conversation Nastya, embarrassed, it seemed to me, said that she was ready to give me an interview for 150 hryvnia. "You understand what my financial situation is..."
At the appointed time, my Kiev correspondent Stanislav Prokopchuk and I were at the desired house on Zhukova Street. We were met by a respectable, stately man of about sixty with a Rottweiler on a leash.
“You are journalists from Trud,” he said affirmatively, looking at the bouquet in my hands. “Nastya is waiting for you,” and introduced himself: I am her father, Vyacheslav Anatolyevich Voronin.
...For two years she has hardly changed in appearance. Maybe she’s lost a little weight and her hair color is different, but the resemblance to her mother is still striking. They decided to talk in the kitchen.
- Tea coffee? - Nastya suggested and put a pack of cigarettes on the table. - You can smoke.
- Thank you, I quit.
- But I just can’t. My lungs are bad, but everything is tarry. We should get examined.
- Didn’t they check you in the colony?
- I took many tests there, but after my release they didn’t give them to me. Not allowed...
- Was your early release from prison unexpected for you?
- Usually, according to my article, they sit from bell to bell. Therefore, I was sure that they would not let me go. So get freedom for 10 months and 6 days ahead of schedule was an unexpected joy for me.
- Nastya, I understand that it’s probably unpleasant for you to remember the time spent behind bars...
- Let's agree: you ask about anything, and I decide which question I can answer and which not.
- Fine. Can you tell us about your most negative impressions of life in the colony?
- I'll try. Although, what does “the most negative” mean? I simply didn’t have any others. What I saw there, what I encountered, is difficult for those living in the wild to understand and imagine. The fifth colony contains mainly “multiple convictions,” that is, women with more than one criminal record. Every prisoner there is on his own. It would seem that grief should unite people, evoke in them sympathy, compassion for the fate of their own kind. This is not in the zone. No one is interested in your problems. Formally, you are part of the squad, but essentially you are alone. In the colony, denunciation flourishes. Moreover, many do not need to be persuaded: they “knock” voluntarily, they themselves offer their services to the administration. For this they are rewarded with small handouts. I, being naive, believed that such “cooperation” should be secret, somehow veiled. I was taught from childhood: the first whip for an informer. Informers try to find in every word hidden meaning and race to the authorities. But, apparently, he is also fed up with such activity from “well-wishers.” There were cases when colony leaders at detachment meetings, without naming names, curbed informant activity...
- How do you explain such a scale of denunciation in the women’s colony?
- First of all, the desire to win over the authorities, to get some kind of bread or quiet position, the desire to get more comfortable in the zone. Often, prisoners who were nothing at large become foremen and brigadiers.
- It seemed to me that warm places appoint authoritative people among convicted people.
- We agreed: I express purely personal opinions and observations. So, in our colony, among the activists there were alcoholics and simply downtrodden, narrow-minded women. Most likely, in freedom they were constantly humiliated, but in the zone they find their “I” and take it out on those who cannot stand up for themselves in these conditions.
It is especially hard for the weak and sick here. Such people, as a rule, do not meet production standards. This means that they have no right to buy more than 5 packs of cigarettes and 250 grams of tea per month from a kiosk. Those who refuse to work are sent to a punishment cell. If you continue to adhere to “denial”, that is, contradict your superiors, you will go to “re-education” in a PKT (cell-type room - V.L.) or to strict conditions of detention.
The junior staff - controllers - are especially zealous in instilling discipline and implementing all kinds of rules. Sometimes, if something goes wrong, they can hit you with a rubber truncheon... But among the colony employees there are also decent, sensitive women. The head of our detachment was someone like that, God bless her... In general, I want to write a book about the order in the zone, and there I will tell you in detail about the life of prisoners.
- They wrote you letters, sent you parcels, maybe someone came for a date?
- No one came to the date. And I myself didn’t want to see anyone. I often thought about my daughter Laura and my father, but meeting them in the colony was an unbearable torment for both me and them... But letters and parcels came regularly after your publication about me in Trud. In prison, people become hard-hearted. But you can’t imagine how surprised I was, no, amazed, when I received the first letters from my kindergarten teachers, from my classmates from Zherdevka (a village in the Tambov region, where Nastya lived with her paternal grandmother and studied in primary school. - V. L.), whom I had not seen for more than twenty years. They sent both parcels and money transfers. Low bow to you, my dears. I will be grateful to you for the rest of my life. Complete strangers also wrote. Thanks to everyone who supported me in trouble. It is a pity that the letters were not preserved. They cannot be taken into the wild, so I destroyed them. But I still have the addresses, and as soon as I recover from the zone, I will definitely write to everyone.
- After your release, did you immediately go home to Kyiv?
- On July 14, I was released, having received 199 rubles as settlement. I didn’t have enough for a ticket to Kyiv, and I went to St. Petersburg to see Olga (L. Fedoseeva’s daughter from V. Shukshin - V.L.), with whom we corresponded. I didn’t find her, I went to a friend with whom I was sitting in Vyshny Volochyok, and borrowed money from her. I was home on July 20th. I was in a hurry for Laura’s birthday (she turned 14 on July 25 - V.L.), but at that time she was vacationing in the Carpathians...
I was returning home via Moscow. I admit, I was tempted to go see my mother. I didn’t know her phone number, but I had her address. At the last moment I got scared: suddenly the door wouldn’t open. Or will he meet me and say: you are soon 40 years old, good-for-nothing, what do you want from me? And I don’t know how to answer. I understand perfectly well that my mother gave up on me a long time ago.
- How were you greeted at home?
- Fine. Both my father and Laura understand how difficult it is for me now. Laura studies at boarding school N14, attended competitions in Artek, and became the champion of Ukraine in all-around among schoolchildren. We get along well.
- How are you going to live further?
- This question haunts me. I can’t sit on my father’s neck. He has his own family. I have to work, but I don’t know where to go. In the colony I sewed quilted jackets, but here I’ll probably have to earn my living by trading at the market. The stall seller is paid 10 hryvnia per day. A pittance, of course, but what to do?
- Two years ago you said that after your release you would go to Angola with Laura. Are you hoping to find your husband Nelson there?
- I would like to go there, but not to my husband. Everything ended with him. I would like to return to Angola and join the Portuguese company where I once worked.
- Sorry, Nastya, but it seems to me that you are disconnected from the realities of life. You’ve forgotten your language, you have no money, no one is waiting for you there...
- I’m afraid of being left without a job, but in Angola, I’m sure I’ll find one... Or maybe you’re right, I don’t know. But it’s scary to live without a prospect, so in moments of despair, obsessive thoughts and fantasies appear... I knew before foreign languages, graduated from state courses. I wish I could update that knowledge... But this cannot be done for free. A vicious circle: no work - no money.
- Could old friends and relatives help you?
- I do not have something like this. As for the old connections that brought me to jail, I broke them decisively and irrevocably. There are no rich relatives either. Except for the mother. I have no complaints about her. Everything has passed and boiled over. But she has a granddaughter, and if my mother financially helps me raise Laura, I will be very grateful to her...
While we were talking in the kitchen, Vyacheslav Anatolyevich went to pick up his granddaughter at the boarding school. Dark-skinned, slender Laura speaks Russian well, slightly embarrassed. Nobody hurts her at the boarding school. Moreover, she was elected "Miss School". I would go to Angola, but not for good. Dream? Become a champion at the next Olympics.
Vyacheslav Voronin tries to keep himself in shape. And he succeeds, since he is invited to act in films. Currently playing the role of a deputy with ties to the mafia in the TV series Werewolf. “It’s impossible to live on a pension of 79 hryvnia,” says the artist. He fondly remembers his communication with Vasily Shukshin, with whom he studied at the institute. He hasn’t held a grudge against Lydia Nikolaevna for a long time. “If she rang the doorbell now,” Voronin argues, “I would sincerely invite her: come in, you are welcome. Without kisses, but we would meet and talk intelligently”...
Saying goodbye, I wished Vyacheslav Anatolyevich health and new roles. Laura wants to study well and become an Olympic champion. And Anastasia - to be loved by her neighbors and to find herself in a new life.
Actors of the Soviet period very rarely had the opportunity to independently choose the roles they would like to play. One of the lucky few was the great national film actress Lidiya Fedoseeva-Shukshina.
The public adored her, and directors vied with each other to offer her roles in new films and performances. The biography of Lydia Shukshina is a story about the rise of a real superstar of Soviet cinema. But her road to all-Russian popularity was fraught with difficulties at every step. Creative path actresses are living proof of this.
Childhood and youth
Date of birth of the future actress is 09/25/1938, place - the city of Leningrad. Her mother's name was Zinaida, her father Nikolai fought at the front, lived to see the Victory and died in the post-war period. The family lived in a Leningrad communal apartment. Lydia was the oldest of three children; her two brothers died.
In 1946, the girl went to secondary school secondary school No. 217. In my free moments, I ran to the Cinema House, where I attended classes in the drama club. After receiving a school certificate, Lydia immediately chose a creative profession and went to study at the All-Union state institute cinematography, which she graduated in 1964.
First roles
Fedoseeva's acting career began with episodic roles. Director Anatoly Granik noticed the talented girl as a schoolgirl and without hesitation invited her to play in his new film.
“Maxim Perepelitsa” was the name of the film in which Lydia starred for the first time. She played a cameo role as a laboratory assistant and appeared on screen for just a few minutes. Before this work, Fedoseeva formally already had filming experience (the film “Two Captains”) - but it was quite short and gave little to the aspiring actress.
Lidia Nikolaevna remembers her first roles, albeit episodic ones, with warmth. After all, maybe it was they who helped her finally decide on her choice of professional path.
New stage in the biography of the actress began in 1957. 1957 was the year she entered the All-Union Institute of Cinematography, where she improved her professional skills in the acting studio of university teachers Gerasimov and Makarova. The talented student’s work did not go unnoticed.
Two years later, the name Fedoseeva becomes famous in the world of Soviet cinema: she played the role of the girl Tanya in the film “Peers”. By all accounts, she had developed as an actress and showed promise of becoming a TV star. However, real popular recognition was yet to come.
Lidiya Fedoseeva-Shukshina became famous for playing the role of Tanya in the film "Peers"
Personal life
The actress first got married while still studying at university. Her husband was the Ukrainian artist Vyacheslav Voronin. Daughter Anastasia was born in 1960. But this was the last joy of their union. Fedoseeva often missed classes because her little daughter required supervision. The actress was almost expelled from the institute. No serious roles were offered.
Soon the young creative couple could not stand the test real life and fell apart. The main reason was the distance that separated the spouses: Lydia lived in Moscow, her husband in Kyiv, and her daughter in Leningrad. In her first marriage, the actress failed to harmoniously combine work and personal life.
Vasily Shukshin
Exactly acting craft brought Lydia together with her second husband - Vasily Shukshin became her filming partner. The acquaintance took place on the set of the film “What is it like, the sea?” They fell in love with each other immediately and forever.
The actors quickly signed their names. After the wedding, they were inseparable: they shared both life and filming with each other. This couple was distinguished by their creative fruitfulness: one after another, the films “Stoves and Benches”, “ Strange people", "Dauria". In each film, Lydia played ordinary rural women.
The films “Kalina Krasnaya” and “They Fought for the Motherland” are breaking all popularity records. In these films, the actress also creates images of understandable, close to the common man, village women. Fedoseeva-Shukshina is assigned the role of a “people’s” actress.
Lydia looked so harmoniously in female folk images that no one remembered that she came from big city- Leningrad. Surely, she played these roles so truthfully, having absorbed something from her husband’s personality, - after all, Vasily Shukshin was really born and raised in the village. Their creative and marital union developed and bore fruit not only in the form of films.
Sudden death of husband
The couple had two daughters, the couple looked absolutely happy. And in 1974, Vasily unexpectedly passed away - sudden death. Lydia was left alone. That's when she takes on a double surname. As a sign of eternal memory of her husband, all credits now read Fedoseeva-Shukshina.
The next two will not change the actress’s mood either. short marriage. According to relatives, the second husband, Vasily Shukshin, remained in the memory of the actress for life
After Shukshin's death
The death of her beloved husband put an end to the golden period of her acting career. Although Lydia Shukshina was invited to productions and filming, her best works remained unforgettable female images in the famous films “Stoves and Benches”, “Kalina Krasnaya”.
Bright roles were performed in films shot by various directors: “The Demidovs” (Yaropolk Lapshin), “Vivat, Midshipmen” (Svetlana Druzhinina), “We Sat on the Golden Porch” (Boris Rytsarev), “Walking in Torment” (Vasily Ordynsky), “Talisman” (Araik Gabrielyan, Veniamin Dorman), in the Polish film “The Ballad of Januszik”, for which she received all possible Polish awards. The filmography of the actress is very extensive.
Films where Lydia Shukshina played appeared on the screen one after another. The actress completely immersed herself in her profession to dull the pain of loss.
Marriage to Bari Alibasov
The ceremony took place in November 2018. Not everyone believed in the sincere feelings of celebrities, thinking that Bari Karimovich had selfish goals. In response, the producer stated that he is more than wealthy, owns a luxurious apartment of 250 square meters and does not need the financial support of his wife at all.
According to Lidia Nikolaevna, the property belonging to her was registered as a gift to her children and numerous grandchildren several years ago.
The 70-year-old producer and the 80-year-old actress now live either in Alibasov’s apartment or in the Fedoseeva-Shukshina house. However, this won't last long. The couple plans to soon move to a jointly purchased house located in New Moscow.
Registration of marriage of media persons did not go unnoticed by the public
Children and grandchildren
The famous actress has three daughters. The eldest - Anastasia Voronina - from her first husband, married a foreign citizen, and now prefers Egypt as a place of residence. Has a daughter, Laura, and she has a son, Martin. The boy is Lydia Nikolaevna’s great-grandson.
Anastasia Voronina
Not everything went smoothly in Anastasia Voronina’s life. Unknowingly, the daughter of a famous actress became involved in drug smuggling. According to her, she suspected something fishy about the package that was asked to be delivered from Pakistan, but she didn’t even think about drugs at that moment.
She agreed to transport the parcel only to pay off the debt that burdened her. The woman was convicted, and three years later she was released from prison under an amnesty. For three years, Lidia Nikolaevna did not write a single letter to her daughter.
But, according to Stas Sadalsky, a friend of the actress, Fedoseeva-Shukshina was trying to get Anastasia released on parole. After that, the already difficult relationship between mother and daughter cooled even more. For a long time they had no contact with each other at all.
Maria Shukshina
The second daughter, Maria Shukshina, according to family tradition, devoted herself to the profession of an actress. She played in the films “Burnt by the Sun 2”, “American Daughter” and many others. She gained fame and love from the public. In addition to acting success, Maria has the happiness of being the mother of four children.
Her eldest daughter, Anna Tregubenko, received the profession of producer at VGIK, and has a son, Vyacheslav, the great-grandson of Lydia Nikolaevna. Maria's eldest son, Makar, gave birth to a wonderful baby last year, who was named Mark. Two youngest son- twins Foka and Foma Vishnyakov - were born to Maria Shukshina in 2005.
Olga Shukshina
Lydia's third daughter, Olga Shukshina, in continuation of the family dynasty, entered VGIK - after graduating, she tried herself as a film actress. However, she suddenly made a sharp turn in her career and became a writer, like her father, Vasily Shukshin. Olga gave the famous grandmother her grandson Vasily. Now youngest daughter Lydia devoted herself to faith and leads a hermit's life.
Her relationship with her mother is difficult. Not so long ago, during the division of her father's inheritance, a share of which belongs to her, she found herself in the midst of a scandal. That conflict was not in vain for Lydia Nikolaevna - her health was undermined.
But she doesn’t complain and tries to establish good relationships with all her loved ones. And now she is supported by her husband, Bari Alibasov, who makes great efforts and tries to reconcile the family for the peace of his wife.
Confession
In creative track record Fedoseeva-Shukshina has more than eighty roles in films and theater performances. She is a recognized national favorite and a symbol of the Russian common woman - and has also been awarded many prestigious awards and awards for your creativity.
Since 1984, Lidia Nikolaevna has held the high title of People's Artist and has been awarded orders and medals for services to society and the fatherland. Now Lidia Nikolaevna lives in Moscow, but no longer plays roles in films or plays in the theater.
Today her activities include preserving and popularizing the literary heritage of her late husband, organizing festivals and open lessons according to his works. From time to time, the national actress appears at social events and television screens. But, as she herself says, all her current concerns are focused on her husband’s memory fund.
Honored Artist Lydia Fedoseeva-Shukshina (79) is known not only for her film works (“Kalina Krasnaya”, “On the Main Street with the Orchestra”, “They Fought for the Motherland”), but also for her high-profile novels. She was married four times - to actor Vyacheslav Voronin (1959-1963), writer Vasily Shukshin (1964-1974), cameraman Mikhail Agranovich (1975-1984) and artist Marek Mezheevsky (1984-1988), and she also had an affair with Bari Alibasov (70). She has three children - Anastasia Voronina-Francisco (57), Maria Shukshina (50) and Olga Shukshina (49). And so, Anastasia and Olga came to Dmitry Shepelev’s (34) show “Actually” to tell on a lie detector how their relationship with their mother turned out.
Lydia left Anastasia Voronina at the age of five; she was raised by her paternal grandmother until she was 14, and then her father took the girl to Kyiv. At the Institute of Culture (which she never graduated from), Anastasia met the head of Angolan counterintelligence, Major General Nelson Francisco. They got married, but soon he went to the front. After the front, the husband did not return, started another family, and Voronina ended up in a Bryansk colony for transporting drugs. She came out towards the end of the 90s and only then met her mother, but they were never able to establish a relationship. Says: “Mom was busy new life, career, family."
Olga decided to follow in her mother’s footsteps - at the age of 6 she starred in a movie for the first time (together with her mother and sister Masha) - in the film “Birds over the City”, after school she entered GITIS, and two years later she transferred to VGIK. Among her works are “Mother”, “Eternal Husband”, “Tired”, but in the end she decided to leave her career and began working at the monastery, teaching literature in a church orphanage. Now he is engaged in social projects related to his father’s legacy.
Vasily, Maria and Lydia Shukshin
Maria Shukshina
“After her father died, she got married again a little less than a year later. When I got married, she categorically did not accept my husband and the father of my son,” Olga recalls.
Children of Lidia Shukshina, these are not only her two daughters from her marriage with Vasily Makarovich Shukshin, but also her daughter from the actress’s first marriage - with actor Vyacheslav Voronin, Anastasia. Anastasia's parents met on the set in Lvov. Vyacheslav had already graduated from VGIK by that time, and Lydia Nikolaevna was still studying acting. They got married after they found out they were going to have a child. The young family settled in Kyiv, but Lydia Nikolaevna was eager to go to Moscow to build a career and become a famous actress, like her fellow students at VGIK. However, Vyacheslav Voronin did not like his wife’s plans, however, she did it her way. This was the reason for the collapse of the actress’s first family.
In the photo - Lidiya Shukshina with her husband and children
Nastya was sent to Leningrad to live with her grandmother, Lidia Nikolaevna’s mother, and her father often visited her. During the filming of the film “What is it like, the sea?”, which took place in Sudak, Lydia Fedoseeva had a whirlwind romance with Vasily Shukshin, which put an end to her relationship with Voronin. Nastya stayed to live with her father, or rather, with his parents in Zherdevka, where he was from. Nastya then saw her mother, perhaps no more than twice, and, in general, according to her, she never learned what true motherly love is.
On the picture - eldest daughter Lydia Shukshina Anastasia
When Anastasia grew up, she married the head of Angolan counterintelligence, Major General Nelson Francisco, and gave birth to a daughter, Laura. There was also a dark period in her biography, when Anastasia, convicted of drug trafficking, spent several years in prison.
In the photo - Maria Shukshina
The youngest children of Lydia Shukshina - daughters Maria and Olga were born one year apart, after the actress became the wife of Vasily Shukshin. Despite the small age difference, the sisters were never particularly friendly, and when they grew up, their fates also turned out differently. At first Masha did not want to follow in the footsteps of her parents and entered Foreign Languages, and later she nevertheless became an actress and TV presenter.
In the photo - Olga Shukshina
Lidia Nikolaevna Fedoseeva-Shukshina. Born on September 25, 1938 in Leningrad (now St. Petersburg). Soviet and Russian actress theater and cinema, People's Artist of the RSFSR (1984).
From 1946 to 1956 she studied at school 217 - the former Petrishula.
Since childhood, I dreamed of becoming an actress.
She studied in the drama club of the House of Cinema under the direction of M. G. Dubrovin.
In 1964 she graduated from the All-Union State Institute of Cinematography (acting workshop of Sergei Gerasimov and Tamara Makarova).
“Thank God, what I dreamed of as a child came true - I became an actress. And I did something because I studied with wonderful teachers - Tamara Fedorovna Makarova and Sergei Apollinarievich Gerasimov. Before that, I had two courses with Olga Ivanovna Pyzhova. After graduating from the acting department of VGIK, I studied for two years at the directing department with Lev Vladimirovich Kuleshov. And, of course, meeting with Vasily Shukshin, who shaped me and corrected me as an actress and as a person. Before meeting him, I was a completely different person. This is my most important achievement, that the Lord united me with such a person!” said Lydia Nikolaevna.
She made her film debut in 1955, starring in small roles in the films “Two Captains” and “Maxim Perepelitsa”.
She first gained fame by playing main role(Tanya) in the film "Peers".
Lidiya Fedoseeva-Shukshina in the film "Peers"
Great importance Her acquaintance and subsequent relationship with Vasily Shukshin played a role in her life and career as an actress. They met on the set of the film “What is it like, the sea?”
She then played with Shukshin in the films “Stoves and Benches”, “Strange People”, “Kalina Krasnaya”.
Since 1974, after the death of Vasily Shukshin, she began to bear a double surname - Fedoseeva-Shukshina.
Lidiya Fedoseeva-Shukshina in the film "Stoves and Benches"
Viewers remember her for her role as Madame Gritsatsueva in the film “12 Chairs.” Also successful were her works in the films “The Demidovs”, “We sat on the golden porch”, “Vivat, midshipmen!”, “Walking through torment”, “Our sins”.
In 1984 she became People's Artist RSFSR.
Lidiya Fedoseeva-Shukshina in the film "12 Chairs"
She is her own best job in cinema he considers the film “The Ballad of Januszik”.
“In 1988, I starred in the Polish film “The Ballad of Januszik”, this is the best of my works, which, unfortunately, no one knows. It was shown on television only once on a weekend in the summer, when it was hot and people were at their dachas Nobody saw her except Stas Sadalsky, because I called him and said: “I know that you love my work, don’t miss it!” And he always remembers this film. I received all the Polish awards that ever existed for this work, I was the only Russian actress there. All the wonderful Polish actresses refused to play, because the director was a communist. And I was lucky," she said.
In the 1990s and 2000s she starred in TV series.
Lidiya Fedoseeva-Shukshina in the film "Martha's Line"
In 1974-1993, Lidia Nikolaevna worked in the troupe of the Film Actor Studio Theater in Moscow.
In 1996-1997, together with Bari Alibasov, she headed the Secret & Secret magazine.
Since 2005, Lidiya Fedoseeva-Shukshina has been the president of the film festival “Vivat Cinema of Russia!”
Health of Lidiya Fedoseeva-Shukshina
The height of Lydia Fedoseeva-Shukshina: 163 centimeters.
Personal life of Lidia Fedoseeva-Shukshina:
First husband - Vyacheslav Voronin, actor. Married from 1959 to 1963. They had a daughter, Anastasia Vyacheslavovna Voronina-Francisco (married to the head of Angolan counterintelligence, Major General Nelson Francisco). Granddaughter - Laura Francisco, great-grandson - Martin.
Vyacheslav Voronin - the first husband of Lydia Fedoseeva-Shukshina
Anastasia Voronina - the eldest daughter of Lydia Fedoseeva-Shukshina
Second husband - writer, film director, actor, screenwriter. They lived together from 1964 to 1974.
They met on the set of the film “What is it like, the sea?” Interestingly, having learned that Vasily Shukshin would be her partner in the film, Lidiya Fedoseeva wanted to abandon filming. She even called the director and tried to persuade him to appoint another actor for this role: Vasily Shukshin had bad reputation - complex nature, frequent affairs, constant drunken sprees, scandals and fights.
Contrary to Lydia’s fears, Shukshin turned out to be a sociable and pleasant person. They began an affair. At that time Shukshin was a member of civil marriage, and Fedoseeva was married to Kyiv actor Vyacheslav Voronin, their daughter was only four years old.
When Lydia announced her relationship with Shukshin and asked for a divorce, the Voronin family took this with hostility. They did everything to separate the “traitor” from her daughter forever. Nastya was taken in by Vyacheslav’s mother and forbade Lydia to come to her. Separation from her daughter became a real tragedy for Fedoseeva, and when she heard Nastya’s voice in the telephone receiver, declaring that she did not have a mother, it was as if something broke inside Lydia. Over time, she weaned herself from thinking about her daughter. I could never forgive her for these words. Even many years later, when she was called to the police in a case of drug trafficking, in which Anastasia Voronina was accused, Lidiya Fedoseeva replied that she did not have such a daughter. WITH old family she broke it off forever.
Despite new novel, part with your common-law wife Vasily Shukshin was in no hurry to marry Victoria Sofronova, who was also pregnant. The following year, Victoria gave birth to a daughter, Catherine. And Vasily Shukshin lived with two women alternately: with Victoria and Lydia.
Victoria Sofronova eventually kicked her common-law husband out of the house - then Vasily Shukshin and Lydia Fedoseeva got married.
In 1967, their daughter Maria was born, and in 1968, their daughter Olga.
Together they played in the films “Stoves and Benches” (1972) and “Kalina Krasnaya” (1973). Vasily Shukshin wrote the scripts and became the director himself. In 1974, Shukshin passed away.
The third husband is Mikhail Agranovich, a cinematographer, with whom she was married from 1975 to 1984.
From 1984 to 1988 she was married to Marek Mierzejewski, a Polish artist.
In the 1990s, she had a relationship with a showman; they lived in a civil marriage for several years.
They were one of the most scandalous couples in Russian show business. The union of the widow of a famous director and the odious producer of the Na-na group seemed to many to be a misalliance; secular gossips were perplexed as to what united such different people. Fedoseeva-Shukshina’s youngest daughter, Olga, was also against her mother’s relationship with Bari Karimovich. However, Alibasov himself spoke about Lydia Nikolaevna exclusively in a positive way and more than once admitted that he had never had such spiritual intimacy with any woman.
“Lida and I were together for four years. An unimaginably long time for me. My main misfortune is that no matter how much I love a woman, I lose interest in her after a few months. And for Lida I still have the warmest and most tender feelings. Ask why we didn't get married? This topic was discussed more than once. And even the “Na-Nai”, who adored Lida, hinted: what else do you need, Bari?! But it didn’t work out. The reason for this was my obsession with work. Reproaches began that we rarely see each other, that I pay little attention. However, there was no gap as such,” said Alibasov.
Filmography of Lidia Fedoseeva-Shukshina:
1955 - Two captains - assistant to V. Zhukov
1955 - Maxim Perepelitsa - laboratory assistant
1957 - To the Black Sea - Nastya, combine operator
1959 - Katya-Katyusha
1959 - Peers - Tanya
1961 - Save Our Souls
1961 - People of my valley
1964 - What is it like, the sea? - Nastya
1969 - Strange people - Lidia Nikolaevna
1971 - Dauria - matchmaker
1972 - Stove-benches - Nyura
1973 - Red viburnum - Lyuba Baikalova
1974 - Birds over the city
1974 - If you want to be happy
1975 - They fought for their homeland - Glasha
1976 - Our Debts - Katerina
1976 - Tryn-grass - Lydia
1976 - 12 chairs - Madame Gritsatsueva
1976 - Gypsy happiness - Anyuta
1976 - Non-transferable key - Emma Pavlovna, chemistry teacher
1977 - Walking through torment - Matryona
1977 - Our Debts - Katerina
1977 - Call me into the bright distance - Pear
1978 - Trouble - Zinaida, Kuligin’s wife
1979 - The wife left - Tatyana
1979 - Little tragedies - an elderly lady
1980 - You never dreamed... - Vera, Roman’s mother
1980 - Peter's youth - matchmaker
1980 - From the life of vacationers - Oksana
1980 - Useless - Marina
1981 - Driver for one flight - Sofya Makarovna Tishanova
1981 - Before last straw blood
1981 - Other games and fun - Khudyakova
1981 - Which would you choose? - Marina's mother
1982 - Idealist - Nadezhda
1982 - You can’t forbid living beautifully
1982 - The Limit of Desires - Zoya Sergeevna
1983 - Burn, burn clearly... - Ustinovna
1983 - Demidovs - Anna Ioannovna
1983 - Quarantine - circus cashier
1983 - Bribe - Olovyannikova
1983 - Talisman - Nina Georgievna
1984 - Bouquet of mimosa and other flowers - Ekaterina Terentyevna Bubnova
1984 - Dead Souls - a lady, just nice
1986 - Along the main street with an orchestra - Lida Muravina
1987 - And live tomorrow - Martynova
1987 - Kreutzer Sonata - Lisa's mother
1987 - The queen sat on the golden porch
1988 - Branch - Vera Platonovna Saburova
1988 - Ballad of Januszik (Ballada o Januszku, Poland) - mother
1988 - Treasure - Ksenia Nikolaevna
1988 - Let me die, Lord - Lydia Nikolaevea
1988 - The investigation is conducted by the Experts. Without a knife and brass knuckles - Sofya Rashidovna Narzoeva
1989 - Don't Leave - Queen Flora
1989 - Love with privileges (another title - “City Details”)
1990 - Beast - dubbing
1990 - Eternal Husband - Zakhlebinina
1990 - Hat - Zinaida Ivanovna Kukushkina
1991 - Faithful Ruslan - Styura
1991 - Vivat, midshipmen! - Countess Chernysheva
1992 - One in a Million - Maria Fedorovna
1992 - Manuscript
1993 - Personal life of the Queen - Lucy, wife of the Russian Ambassador
1993 - Ferry "Anna Karenina"
1994 - Countess Sheremeteva - Catherine II
1994 - St. Petersburg secrets - General Amalia von Spilts
1996 - Scientific section of pilots - Anna Vilhelmovna
1997 - Schizophrenia
1998 - Prince Yuri Dolgoruky - Euphrosyne, Kuchka’s sister
1998 - The denouement of the St. Petersburg mysteries - Amalia von Spilts
2000 - New Year in November - Velichko
2001 - Perfect couple- Maria Pankratovna
2002 - Marriage of convenience - Aunt Marina
2002 - Russians in the City of Angels
2002 - Evenings on a farm near Dikanka - Catherine II
2004 - Thieves and prostitutes. Prize - flight into space - Tina Modotti in old age
2004 - Dasha Vasilyeva 2 - Violetta Pavlovskaya
2004 - Parallel to love - grandmother
2005 - Women's intuition - Eleanor
2005 - Matchmaking
2006 - Dad of all trades - mother-in-law
2006 - Park of the Soviet period - Elizaveta Petrovna Ivanova
2008 - Start over. Marta - Marya Ivanovna
2008 - Candle from the Holy Sepulcher
2009 - Terrorist Ivanova - Alevtina Petrovna Blinova, judge
2009 - Mother’s Heart - Ekaterina Petrovna
2010 - Marry a millionaire - Nina Petrovna
2010 - Leaning Tower of Pisa- Olga's mother
2013 - Sex, coffee, cigarettes
2014 - Martha's Line - Marta Galanchik