Landscape lyrics predominate in the work of A. Fet. The pictures of nature depicted in his poems delight in their simplicity. Proof of this feature is the poem analyzed in the article. It is studied in grades 5-7. We invite you to familiarize yourself with brief analysis“This morning, this joy” is according to plan.

Brief Analysis

History of creation– the work was written in 1881 (late period of creativity), when the poet was staying on a country estate.

Theme of the poem– spring awakening of nature.

Composition– The poem cannot be divided into parts according to its meaning, since the author simply lists everything he sees around him. It has only one sentence, which gives integrity to the thoughts. Formally, the poem consists of three six-foot stanzas.

Genre- elegy.

Poetic size – tetrameter trochee, parallel and ring rhyme.

Metaphors – “the power of both day and light”, “the talk of waters”, “these drops are these tears”.

Epithets – "night sigh".

History of creation

The analyzed poem belongs to the late period of A. Fet’s work. The poet wrote it in 1881, when he was already retired and living on an estate outside the city. Philosophical motives predominate in his mature work, which is associated with the loss of his beloved Maria Lazic. Fet broke up with the girl in his youth, and some time after the breakup he learned that she had died. Memories tormented his soul and left a mark in the lyrics.

“This morning, this joy” seems like an unexpected short burst of joy. However, the work does not contain the delight characteristic of Fet's early poems. It is more reminiscent of observing nature, during which the poet recalls what happened in his destiny.

Subject

The work develops the traditional spring motif for world literature. The author's focus is on the landscape. The pictures of nature are panoramic, and Fet takes in everything with his gaze: flocks of birds, midges, tears of trees. In a laconic text he describes the whole day. The story begins with a description of morning and daylight, and ends with an image of the night time. At each time of day, the poet notices only the most important.

Landscape sketches are rich not only in visual images, but also in sounds: “this sound and whistle”, “this fraction and these trills”. Color range the author does not display, but the reader can imagine the colors of the surrounding nature without his help.

The lyrical hero is practically invisible behind the landscapes. The narration is impersonal, which further helps to hide the hero. His feelings and emotions can be judged by the details. For example, the hero notices drops on the trees and compares them to tears, apparently something saddens his heart. At the same time, the man has not forgotten how to hear nature and rejoice with it in the coming of spring.

In the context of the theme, the idea is developed that spring can awaken beauty even in a saddened heart. In addition, the author once again affirms the beauty of nature.

Composition

The composition of the poem is simple. It is not divided into parts according to meaning; the author talks about everything he sees around him. It seems that he strings together his most significant impressions, forming from them a panoramic picture of nature. The time frame used as the basis for the plot is from morning to evening. The peculiarity of the poem is that the author does not use a single verb. This technique makes events static and helps create a calm atmosphere that corresponds to the internal state of the lyrical “I” and the author.

There is only one sentence in the work, which gives integrity to the thoughts. Formally, it consists of three six-foot stanzas.

Genre

The genre of the poem is elegy. Despite the fact that the work is based on a landscape, philosophical notes are felt. The reviving nature encourages thinking about the eternity of nature, about the unity of man and nature. The lines are dominated by a sad mood. The poetic meter is trochaic tetrameter. A. Fet uses two types of rhyme: parallel AABB and ring.

Means of expression

The poem does not have many means of expression. The author thoughtfully names everything he sees around him, without trying to embellish the images. Some elements of the landscape evoke associations in him, which are conveyed through artistic means. The text contains metaphors- “the power of both day and light”, “the talk of waters”, “these drops are these tears” and epithet- “night sigh”. Also, all the lines that describe spring through landscape images can be called one big metaphor.

The peculiarity of the analyzed poem is pronoun repetition"it" in different forms. This technique is called anaphora. Also serves as a tool for conveying a sad mood. alliteration, for example, the consonant “s”: “this power of both day and light, this blue vault.”

This morning, this joy,
This power of both day and light,

This blue vault
This cry and strings,
These flocks, these birds,
This talk of the waters

These willows and birches,
These drops are these tears,

This fluff is not a leaf,
These mountains, these valleys,
These midges, these bees,
This noise and whistle,

These dawns without eclipse,
This sigh of the night village,

This night without sleep
This darkness and heat of the bed,
This fraction and these trills,
This is all spring.

Analysis of the poem “This morning, this joy” by Fet

A. Fet is rightfully considered one of the best representatives of landscape poetry. His poems dedicated to the beauty of nature are classic. At the same time, the poet often acted as an innovator, boldly crossing the literary canons existing in his time. Among such unusual works is the poem “This morning, this joy...” (1881).

Fet's innovation is evident in everything. First of all, critics reproached him for being pointless. The poem is dedicated to spring, but this becomes clear only at the very end. Numerous natural objects and phenomena, sounds, human sensations are listed in apparent disorder, creating an incredible pile-up. They have no visible connection with each other and only in the last line do they fall into place and acquire a logical structure. There is no plot in the work; one can only guess about the lyrical hero from minor mentions (“this joy”, “night without sleep”).

The poem repeats the pronoun “these” (“this”, “this”) many times. This monotony is somewhat tiring, but receives a brilliant conclusion in the last phrase: “it’s all spring.” Another Fetov technique is complete absence verbs. The feeling of dynamics is created by the rapid change of various nouns, flashing like in a kaleidoscope. There are two adjectives, and even then they are used as necessary.

Finally, the structure of the poem itself deserves attention. It is one long sentence. Fet uses unconventional six-line lines, and places special emphasis on every third line, summing up intermediate results.

In general, an increase in emotional tension can be noted in the work. It begins with neutral, calming images (“morning”, “blue vault”). Gradually they are replaced by nouns hinting at movement (“drops”, “midges”, “sound and whistle”). In the final stanza, painful human sensations appear (“night without sleep”, “heat of the bed”). They directly lead the reader to the premonition of love that is associated with spring.

The author's ending is very effective. The solemn affirmation of spring worthily completes the poem and immediately fills it with special meaning. Fet wrote it when he was already quite old. But even in old age he remained an incorrigible romantic, who until the end of his life believed in the ultimate triumph of love and spring.

“This morning, this joy...” Afanasy Fet

This morning, this joy, This power of both day and light, This blue vault, This cry and strings, These flocks, these birds, This chatter of waters, These willows and birches, These drops are these tears, This fluff is not a leaf, These mountains, these valleys, These midges, these bees, This clatter and whistle, These dawns without an eclipse, This sigh of the night village, This night without sleep, This darkness and the heat of the bed, This fraction and these trills, This is all spring.

Analysis of Fet’s poem “This morning, this joy...”

There were many tragic pages in the life of Afanasy Fet, which the poet could not forget until the end of his life. At the age of 14, he was deprived of his title and inheritance, since his adoptive father filled out the documents incorrectly and did not adopt the child of his legal wife, who was conceived in a previous marriage. It was for this reason that Fet was forced to leave for military service, mentally saying goodbye to dreams of poetry. It was then that he swore that he would regain his wealth at any cost, and kept his word, marrying not out of love, but out of convenience. However, between the loss of inheritance and marriage, another sad event occurred in the poet’s life. For mercantile reasons, he refused to marry Maria Lazic, the girl he was madly in love with, and very soon after the breakup, she died tragically. It was from this moment that a serious turning point occurred in the work of Afanasy Fet. He can no longer sincerely admire the world around him, since neither the forest, nor the field, nor the babbling river can make up for such a difficult loss in the poet’s soul.

When getting married, Fet sincerely hoped that this step would save him not only from financial problems. But also from loneliness, spiritual emptiness. Indeed, his wife Maria Botkina surrounded her chosen one with affection and care. However, very soon Fet realized that he did not have warm feelings for this woman. More and more often, he mentally talked with the one to whom his heart belonged, dedicating poems to her, filled with pain and suffering. During this period, the poet almost completely forgot about landscape lyrics, he stopped enjoying life and noticing those amazing things that inspired him to create enthusiastic poems.

However, every rule has its exceptions, and on rare days peace of mind came from Fet's pen romantic works. One of them was the poem “This morning, this joy...”, created in 1881. By this time, Afanasy Fet had already retired from government affairs, settled on a country estate and decided to devote himself entirely to literature. He learned to live again and discovered the world, who became so inhospitable and gloomy after the death of his beloved woman. Nevertheless, the poet still could not help but admit the fact that nature is still full of charm - you just need to be able to see and feel it. “These willows and birches, these drops - these tears,” - that’s far from full list what the poet saw outside the window one of the spring days. With his characteristic attentiveness, he noticed every little detail, seeing how the birds returned to their native lands, filling the surroundings with their hubbub, hearing the murmur of the stream and the buzz of awakened bees. “This is all spring,” the poet summarizes, enjoying the view from the window. But in his poems there is no longer the former lightness and serenity that was inherent early creativity. Fet realizes that the world has not changed and tries to revive the brightest and purest feelings in himself. But the author does not feel sincere delight that another change in the year has occurred.

It is noteworthy that this poem is written in one sentence. Without resorting to sublime epithets and without using figurative comparisons, the poet simply lists what he saw, recreating in short strokes the picture of a spring morning. Restrained in his statements, the author once again emphasizes that nothing has changed around him, but he himself has changed, becoming wiser, more experienced and calmer. His life is nearing completion, and nothing is able to awaken the former ardor of the heart and the acuity of feelings, not even the beautiful spring - the muse of all poets and an inexhaustible source of inspiration, which Fet has always valued so much.

The work of Afanasy Afanasyevich Fet is, without a doubt, one of the pinnacles of Russian poetry. Amazingly emotional, a classic, a student of the school of “pure art”, he praised in his works only what he considered truly beautiful.

The theme of nature occupied a special place in his work. Afanasy Fet was an obvious supporter of pantheism; He admitted to himself more than once, for example, in his diaries, that he did not know anything more harmonious than everything that exists in nature. Even terrible, elemental, it remains amazingly beautiful. Nothing, perhaps, inspired Fet more than everything that was happening around him. Unlike F.I. Tyutchev, this lyricist did not feel the tragic gap between man and nature, did not consider it impossible for the “son” to return to the mother element.

The poet, with all his characteristic love of life, sang the harmony of the Universe and often wove complex philosophical motifs into a seemingly simple landscape sketch. He thought about the meaning of life, the transience of life and, of course, about love and happiness. Despite the fact that the poet’s fate turned out to be long and very difficult, in his lyrics he appears before us as a cheerful optimist, preaching life in all its manifestations. He will be able to maintain this positive mood until the end of his days.

One of Fet’s most famous poems is his “This morning, this joy...”, written in 1881. It refers to the late works of the poet. It's hard to imagine, but last years the classic felt imperfection more and more keenly own life and your dissatisfaction with it. He reproached himself for marrying an unloved woman and indirectly participating in the death of Maria Lazic. Despite this, his lyrics remained as touching and pure as before.

The poem “This morning, this joy...” is dedicated to the change of seasons and the onset of spring. It seems that the poet is looking out the window and describing everything he sees around him:

"This blue vault,
This cry and strings,
These flocks, these birds...”

Despite the fact that the poem has no plot, it resembles not the poet’s internal monologue, not his stream of consciousness, but a quick change of frames. Fet deliberately turns to the use of nominal sentences and the technique of syntactic parallelism, used for the first time in his immortal “Whisper, timid breathing...”, since this is due to the author’s poetic intention. The classic seems to lack words to describe the all-conquering beauty and charm of nature, so he does not strive to compete with it in sophistication, but with simple, careless sketches he manages to capture in eternity some moments of spring that conquers his heart.

The work quickly covers one spring day from morning to evening. Each stanza symbolizes one of the time periods, and each “segment” of time is colored with its own charm; Fet finds a special attraction everywhere. He, an “impressionist in poetry,” subtly notices the details of the nature around him, and lines filled with swiftness and continuous forward movement come to life in the imagination.

There are no epithets in the poem, because there are practically no adjectives. The repetitions of demonstrative pronouns give special expressiveness to the lines: this, this, these, etc. Despite the fact that the work uses motifs found in Fetov’s early texts, the author’s poetic vocabulary does not seem poor or banal, rather the opposite. This effect is due primarily to the amazing rhyme and size of the text: Fet turns to tetrameter trochee, thanks to which the illusion of exclamatory intonation is created. One foot “falls out” from every third line - this was done on purpose, since such an intonation design of the poem allows us to provide the effect of a human heart beating with impatience.

The last stanza deserves special attention. In it, the motif of the change of day and night takes on a different sound - and a hidden, unexpected meaning. Fet talks not only about beauty spring night, but - about love. It’s not for nothing that spring is associated with crazy youth, filled with emotions and colors. Thus, Afanasy Afanasyevich notes the symbols of a nightly love date - “this night without sleep.” It may be that on nights like these the poet himself thinks about his only love in his life, unfortunately lost. Thoughts absorb him completely and do not allow him to forget. And the poet ends the poem with a surprisingly simple but attractive line, which becomes the logical ending of the poem - “This is all spring.”

The amazing feature of this poem by A.A. Feta becomes an amazing image, created, in principle, without the use of a lot of means artistic expression. The melody of the poem and its parallelism are especially attractive. The reader is able to feel and see everything that the poet describes - all the colors, sounds, smells. In the work “This morning, this joy...” banal motifs acquire a special sound; the author not only pours out his own experiences on paper, but also turns to the reader, as if inviting him, too, to feel all the charm of the coming time.

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