Lyudmila Gurchenko is one of the most recognizable Soviet and Russian actresses and singers. Her film is popular with thousands of people from the older generation to the young. Lyudmila Gurchenka has become a symbol of an entire era of Russian cinematography. Creative path Lyudmila is full of bright roles, calling people and their applause. Lucy is famous for her films: “Carnival Night”, “Station for Two”, “Love and Doves”. Lyudmila Gurchenko is the winner of many awards and titles in the field of cinema. In this article you will learn about this fragile, but on the other hand, “iron” lady.

Height, weight, age. How old is Lyudmila Gurchenko

Many questions revolve around this famous woman. Her fans are interested in the question of what height, weight, age, and how old Lyudmila Gurchenko was. Gurchenko lived to be 75 years old. Her life was bright and eventful. In the prime of her youth, the artist’s height was 173 centimeters and her weight was 58 kilograms. Lyudmila Gurchenko was the owner of the thinnest waist, her waist is 56 centimeters. According to her zodiac sign, Lucy was born Scorpio. By Chinese calendar she was born in the year of the Pig.

Biography of Lyudmila Gurchenko

In the eastern part of Ukraine, in the small town of Kharkov, a famous artist was born on November 12, 1935. The girl's childhood is languid, as she was affected by military actions. When the city was liberated from the Germans in 1943, Luda went to gymnasium No. 6. She fell extremely in love with her national language, as well as music.

In 1953, Lyusya goes to conquer Moscow and immediately enters VGIK.

Gurchenko’s debut as an artist took place in Jan Fried’s film “The Road of Truth.” The Soviet artist gained fame in 1958, when she played the main role in the film “Carnival Night”.

Throughout her career, Lyudmila Gurchenko has starred in more than 100 films, played on the stage of five famous theaters in Russia, and performed more than 17 songs. One of the popular singles performed by the artist was “Five Minutes.”

The biography of Lyudmila Gurchenko is fascinating. Let's highlight the five most Interesting Facts from her life path:

1. The concert dress she wore for the first time on stage had to be sold to a thrift store due to debts.
2. The artist wrote her songs to herself.
3. Lucy also created the images in which she performed for herself.
4. The artist loved being called Lyusya.
5. The actress loved two dogs named Pepe and Gavrika.

Personal life of Lyudmila Gurchenko

Fans are interested in the personal life of Lyudmila Gurchenko. In this part we will talk about her men. Lucy was officially married 6 times. As the artist herself said: “I can fall in love at every step.” Each of her men played a huge role in fate. The first husband is Vladimir Ordynsky. The artist lived with him for only a year. The next husband is Boris Andronikashvili. Luda was captivated by this Georgian man, but the union lasted only 2 years. This marriage produced a daughter, Masha.

The third husband was Alexey Fadeev. The marriage to the actor lasted only 2 years. Then Joseph Kobzon became his husband. This relationship lasted only 3 years, and the couple tries not to remember them. The two of them believe that this was a huge mistake in their lives. Fifth husband - Konstantin Kuperweis. Kostya was 14 years younger than Gurchenko, but family life lasted 18 years. Last husband Lucy - Sergei Senin. Senin was with the artist until the end of her days.

Family of Lyudmila Gurchenko

Lyudmila Gurchenko's family comes from farm laborers and repressed nobles. Father - M.G. Gurchenko, mother - E.A. Simonova-Gurchenko. During the war, Lucy's family lived in the city of Kharkov, captured by the Germans. From childhood, Lyusya recalls that she often sang with her mother for the Germans in order to get a piece of bread. From childhood, the family was instilled in music, painting, and architecture. They raised Lyudmila to be a real noblewoman. Lyudmila Gurchenko has a large family: husband Sergei Senin, daughter Masha, granddaughter and two great-granddaughters. Luda never said in the press that she had a daughter.

Children of Lyudmila Gurchenko

Let's return to Gurchenko's second marriage. In 1958, Lucy married Boris Andronikashvili. In this marriage a beautiful daughter is born, who was given an extraordinary gift - beautiful name Maria. After a break in relations with Boris, Masha is sent to her grandmother in Kharkov. The girl spent her childhood and youth in a small village. Lyudmila Gurchenko had no time to pay attention to raising her daughter. However, the children of Lyudmila Gurchenko should be proud that they have such a famous mother. But Maria crossed out her mother from her life, because she believed that her grandmother had replaced her mother.

Daughter of Lyudmila Gurchenko - Maria

The daughter of Lyudmila Gurchenko, Maria, was born on June 5, 1959 in a popular family in the USSR. Her father is Boris Andronikashvili. After the divorce, Lyudmila Gurchenko takes her two-year-old daughter to be raised by her grandmother in the village. Later, Masha was brought to Moscow to see her mother, but it was difficult for the girl to find a common language with her, since she was used to independent life. Maria even remembers that she tried to escape to Kharkov, but was stopped. Masha is different from her famous mom in everything. Masha Andronikashvili got married early, and the main thing for her was always family, children, and not a career.

The ex-husband of Lyudmila Gurchenko is Vasily Ordynsky.

Ex-husband Lyudmila Gurchenko - Vasily Ordynsky was the director. I met Vasily on the stage of VGIK. The popular artist studied in the 2nd year, and the director in the 4th year. Vasya was 12 years older than Lyuda. Vasily Ordynsky had the front behind him before entering the university, but Lucy only had school. They were predicted to have a long life together, but the marriage lasted only a year. Luda tries not to recall this union in her memory, since she could not let go of her husband’s betrayal. The couple had no children in this marriage. It can be noted that all of Lyudmila Gurchenko’s husbands were associated with the stage.

Former husband of Lyudmila Gurchenko - Boris Andronikashvili

Lyudmila Gurchenko's ex-husband, Boris Andronikashvili, was a screenwriter. The acquaintance with Boris also took place within the walls of VGIK. The Georgian guy made the young artist’s heart beat faster. Andronikashvili had not only a beautiful appearance, but also an intellectual mindset and musicality. In 1958, the couple officially registered their relationship. The marriage lasted only two years. Even their little daughter could not seal their union. There are many reasons for the breakdown of relationships, one of them is professional differences.

Former husband of Lyudmila Gurchenko - Alexander Fadeev

The ex-husband of Lyudmila Gurchenko is Alexander Fadeev. This union for Lucy was also short-lived. Lucy lived with her adopted son Fadeev Sr. for 2 years. Alexander Jr. was an artist, but without any prospects on the great stage. In 1962, Lucy and Sasha officially registered their relationship in the Moscow registry office, but in 1964 they filed for divorce in the same registry office. The break in the relationship was the constant spree of the young actor - Fadeev. As the actress herself stated, she simply could not tolerate betrayal.

Lyudmila Gurchenko's ex - Joseph Kobzon

The ex-husband of Lyudmila Gurchenko is Joseph Kobzon, a famous artist of the USSR. Kobzon and Gurchenko tried not to remember this marriage, and behaved as if nothing connected them. The two of them thought it was a huge mistake. But they lived with this mistake for three years. In 1967, Joseph and Lyudmila got married. But because complex nature Lucy, Joseph is breaking up with her. The marriage with Lyudmila Gurchenko was the second in a row. After a year of breaking up, he married for the third time, and still lives with his wife, but sometimes mentions our heroine in interviews.

Lyudmila Gurchenko's ex - Konstantin Kuperveys

The ex-husband of Lyudmila Gurchenko is Konstantin Kuperweis. Acquaintance with Konstantin was accidental, but fateful for Lyudmila Gurchenko. After an unsuccessful relationship, Lyusya became disillusioned with men, and Kostya was able to light a flame of love in her. In 1973, after dating for a short time, the couple decided to get married. For twenty years the pianist guessed the character of a famous artist, and she loved him madly. Lyudmila Gurchenko did not expect that he could betray her. But in 1991, the couple divorced because Cooperweis had another woman.

Lyudmila Gurchenko's husband - Sergei Senin

Lyudmila Gurchenko's husband is Sergei Senin. Lyudmila met producer Sergei on the set of “Sex Tale.” The People's Artist was about 60, and the producer was 35. Externally and internally, Senin resembled Lyuda's father, Mark Gavrilovich Gurchenko. He even jokingly called her “daughter.” At the end of her youth, Lucy finally finds true love, a real man who took care of her until the end of her days. IN happy marriage the couple lived only 18 years. The couple does not have children together; they always had a good time together, although there were plans for children.

Lyudmila Gurchenko causes of death, funeral of the actress

On March 30, 2011, articles “Lyudmila Gurchenko causes of death, funeral” appeared on the vastness of Internet resources. A lot of information immediately spread on Internet resources that the death of the Soviet artist was due to the fact that the ambulance arrived late and could not save the artist. Although, husband Sergei Senin claims that death occurred instantly. “Lucy just sighed and died immediately.” The life of the popular artist was interrupted at the age of 75 due to pulmonary embolism. To this day, Sergei cannot forget his beloved.

Wikipedia Lyudmila Gurchenko

Wikipedia Lyudmila Gurchenko is one of information resources, in which you can learn about her life and work, awards. The artist was not registered on social networks. If fans want to know more about her life path, then it is worth reading her three autobiographical books: “My adult childhood”, “Applause”, “Lucy, stop”. In 2015, the series “Lyudmila Gurchenko” was filmed by producer Sergei Aldonin, which included 3 of her manuscripts. The television series consists of 16 episodes. After watching it, you can completely penetrate the life of the actress.

Lyudmila Gurchenko - famous Soviet and Russian actress and a singer. Films with Gurchenko’s participation are known to millions and are firmly included in the lists of Soviet classics, and the actress herself has become a symbol of an entire era in Russian cinema.

Gurchenko Lyudmila Markovna was born on November 12, 1935 in Kharkov. Before the war, Lyudmila Gurchenko’s parents, father Mark Gavrilovich Gurchenko ( real name- Gurchenkov) and mother - Elena Aleksandrovna Simonova, worked at the Kharkov Philharmonic. My father was a professional musician, he played the button accordion, and my mother sang. Parents often took their daughter with them to concerts, so Lyudmila had a behind-the-scenes childhood, she saw the stage from early years.

From the day of birth until the beginning of the Great Patriotic War Lyudmila lived with her parents in Kharkov, in a one-room semi-basement apartment on Mordvinovsky Lane. The happy childhood of Lyudmila Gurchenko was interrupted by the war. Father Mark Gavrilovich, whom the actress dearly loved and revered all her life, went to war. He was not of military age and also had a disability, but he decided to fight. The girl was left in occupied Kharkov alone with her mother.

On September 1, 1943, after the liberation of Kharkov, Lyudmila Gurchenko, with some delay, went to school, which was located in the courtyard of her house. And in the fall of 1944, she entered the Beethoven music school - her parents decided to develop the child’s considerable musical abilities.

The metropolitan page of the biography of Lyudmila Gurchenko began in 1953. It was this year that the girl went to Moscow and immediately entered VGIK, in the workshop of Sergei Gerasimov and Tamara Makarova. She was the brightest and most versatile in her class, she danced, sang and acted equally well. In her senior year, the actress played Keto in the operetta “Keto and Kote” and Imogen in the stage composition “The Trap” based on Theodore Dreiser. In these two roles, Gurchenko sang, danced, and played the piano.

She graduated from VGIK in 1958. After graduating from university, she first played in the Film Actor’s Studio Theater, and since 1964, Gurchenko worked for two seasons at Sovremennik, playing in the director’s productions “Without a Cross”, “ Elder sister", "Cyrano de Bergerac", "The Naked King" and "Forever". Then Lyudmila Gurchenko spent several years working in the theater and the Moscow Theater of Satire.

Movies

Lyudmila Gurchenko made her film debut back in student years. Her first film was the film “The Road of Truth” by Jan Fried, released in 1956. “I didn’t come here to be silent!” - this was the actress’s first phrase in the movie. The film was noticed, as was the aspiring actress, whose rise to fame began with her first film.

Gurchenko became deafeningly popular after the release of the New Year’s comedy “Carnival Night.” Lyudmila Gurchenko instantly became a popular favorite and idol. The film broke all box office records and sold almost 50 million tickets. And the song “Five Minutes” performed main character Lenochka Krylova became the anthem of the New Year, and until now the whole country on this holiday is discussing with Lenochka whether this is a lot, 5 minutes, or not enough.

Lyudmila Gurchenko in the film "Girl with a Guitar"

“Carnival Night” was followed by the film “Girl with a Guitar,” which was written specifically for Gurchenko and in which the artist again received the main role, very similar to the previous one: also in a light dance genre. This film was less successful, although by inertia it filled the country's cinema halls. But the success of these two films also had the other side of the coin: Gurchenko acquired the role of some lightness and carelessness.

Oblivion

The following events became a dark streak in the film acting biography of Lyudmila Gurchenko. Due to the difficult financial situation, Gurchenko was forced to work part-time in parallel with filming, give concerts at factories and organize creative evenings with the audience. These acting "hacks" caused censure in the press. Officially, this is what caused problems in his career. But there is a version that the artist’s refusals to take on new roles were directed “from above.”

In 1957, during the filming of “Girl with a Guitar,” the actress was called by the USSR Minister of Culture Nikolai Mikhailov and, according to rumors, offered to cooperate with the KGB during the VI International Festival of Youth and Students. Gurchenko refused. They say this is what caused the persecution and some oblivion. For 10 long years the actress was not cast in leading roles. However, the actress starred in at least one, and sometimes in three films per year. Lyudmila even played several main characters, but in passable films that did not have much success with audiences.

During this period, Lyudmila Markovna tried her hand at dramatic roles. In the film “Baltic Sky” Lyudmila Markovna demonstrated that she can play deep, tragic heroines who experience strong feelings. In the same role, Gurchenko played in the films “Workers’ Village” and “Old Walls”.

Return

The dark streak in Gurchenko’s career is over. She again became one of the most sought-after actresses in the country and got the opportunity to act, receiving bright roles in films. These were the musical films “Sky Swallows”, “Straw Hat”, “Tobacco Captain” and “Mother”.

Lyudmila Gurchenko in the fairy tale "Mother"

During the filming of the film “Mama,” Gurchenko severely injured her leg. She was threatened with disability: a closed fracture with displacement, 19 fragments. Lyudmila Markovna was able to dance and walk in high heels again only after many years of training.

Lyudmila Gurchenko wanted to play dramatic roles in strong films. Such pictures in the actress’s work were “Twenty Days Without War”, “Siberiada” and “Five Evenings”.

Lyudmila Gurchenko in the film "Five Evenings"

Total on account great actress 96 film roles. The most unforgettable and striking are “The Beloved Woman of Mechanic Gavrilov”, “Vacation at Your Own Expense”, “Flights in Dreams and in Reality”, “Station for Two”, “Recipe for Her Youth” and, of course, the legendary comedy “Love and Doves” .

This timeless film was released in 1984. The painting “Love and Doves” very subtly and realistically showed a fairly common love triangle: the struggle of a wife and mistress for the attention of her husband. Main character paintings by Vasily Kuzyakin, whom he played, lives with his wife and three children. His wife's performance is ordinary soviet woman, tired of children and everyday life. That is why the spectacular and exalted beauty, played by Gurchenko, who meets the man at the resort, takes Vasily away from the family. Vasily understands that the holiday romance and family life with new lover- these are different things. The Kuzyakin family is reunited.

Filming of the film "Love and Doves"

The film would not become a legend if it was only about one couple. “Love and Doves” shows the life of an entire social layer: here is the drink-loving Uncle Mitya, played by , and his wife, who is always looking for her husband, and the Kuzyakins’ daughter, who separated from her husband, and their young children.

Music

The creative biography of Lyudmila Markovna Gurchenko is not only the biography of a theater and film actress. This woman was extremely versatile in her talents. Gurchenko recorded 17 music albums, released three autobiographical books and tirelessly performed in duets with various performers, including others.

Lyudmila Markovna starred in 16 video clips for her songs, including the compositions “I Hate” and “Petersburg-Leningrad” performed in a duet with Boris Moiseev. The video for one of Gurchenko’s iconic songs called “Prayer” was directed by Gurchenko, known for his work in big cinema.

Last job Lyudmila became a video where the actress sang the song “Do you want?”, which she performed in the original. Lyudmila Markovna brought even greater popularity to this song and, according to her, received pleasure from touching real talent.

Personal life

The actress's life was full not only of bright roles, but also of whirlwind romances. There were six husbands in Lyudmila Markovna's life. Five official marriages and one civil one. All Gurchenko men were bright and famous. But every time something prevented them from staying together with such an extraordinary and strong woman.

Lyudmila Gurchenko's first husband was film director Vasily Ordynsky. This marriage took place when Lyudmila was only 18 years old. The couple lived together for only a year. The artist also did not live long with her second husband Boris Andronikashvili, a screenwriter and historian, the son of the writer Boris Pilnyak, but this marriage gave her a daughter, Maria.

The artist’s third husband was actor Alexander Fadeev, Foster-son famous writer, and the fourth is a singer. Gurchenko broke up with him three years later. Two stars of this magnitude could not get along for long.

Soon after their separation, rumors appeared in the press about Gurchenko's affair with. Lyudmila herself admired the musician, but more as an outside observer than as a woman in love. Gurchenko did not comment on rumors about this relationship. But together with musician and accompanist Konstantin Kuperveys in civil marriage Lyudmila Markovna lived 18 years.

Relationship with daughter

The actress had a difficult relationship with her daughter. Until the age of three, the child was raised by his grandparents, thereby allowing Gurchenko to continue his acting career. The girl took the reunion with her mother hard and even tried to run away back to her grandmother. Despite a series of stepfathers, a real family for mother and daughter did not work out in any way - Lyudmila Markovna was, first of all, an actress, Gurchenko spent a lot of time on set, and could go on tour for a long time. As a result, in childhood, Maria was quite often left to her own devices.

The actress herself, her entourage and fans hoped that Maria would eventually follow in the footsteps of her star mother, but even in her youth, Masha showed that she and Lyudmila were very different. The girl showed no inclination towards music or the stage, graduated from medical school, and, unlike her mother, who became an example of style and elegance, wore comfortable clothes and almost did not use cosmetics. Maria married ordinary person and gave birth to two children of the same age. Lyudmila Gurchenko had a strong conflict with her son-in-law, because of which Maria first even divorced her husband, but then got back together.

Grandchildren named after her own parents, the actress loved very much, but even they could not finally reconcile her with her daughter and her husband. The artist had high hopes for her grandson and granddaughter, seeing them as continuers of her acting endeavors.

In 1998, a tragedy occurred. Mark, the actress’s grandson, died suddenly. The young man died from a drug overdose. Maria knew about her son’s illness and fought his illness for a long time and unsuccessfully. According to rumors, Lyudmila Gurchenko did not come to the funeral, but in fact the actress was at the farewell and was very mournful, she just tried not to draw too much attention to her person.

Soon there was a deterioration in the relationship between mother and daughter. Lyudmila Markovna in Once again got married. The sixth and last husband of the actress until her death was producer Sergei Senin. New husband Gurchenko could not get along with either his stepdaughter or his mother-in-law. As a result, a protracted conflict arose, which was aggravated by the division of the property of Lyudmila Gurchenko’s mother. The grandmother bequeathed her apartment to Maria, bypassing her star daughter. The actress did not accept this, and the matter went to court.

In the last years of the actress’s life, a rumor appeared in the press about Gurchenko’s affair with a photographer. Lyudmila really said that she was in love with Aslan, but, most likely, she meant strong friendly feelings and admiration for his work. Akhmadov emphasizes that love relationship there was no relationship between him and the actress. Lyudmila Markovna met a young man at a fashion show, Akhmadov offered her a thematic photo shoot dedicated to the myth of Oedipus, and later became her personal make-up artist.

Death

2011 was a fatal year for the actress. In February, Gurchenko slipped near her house and broke her hip. The next day she had surgery. In early March, he was discharged, and things were getting better. But on March 30, the actress’s condition worsened. Lyudmila Gurchenko died at home, the cause of death was pulmonary embolism.

On April 2, a public farewell to everyone’s favorite actress took place at the Central House of Writers. Gurchenko was wearing a dress that she herself had recently sewn. Numerous fans came to say goodbye to Lyudmila Gurchenko. The capital itself said goodbye to the artist: in the Moscow metro that day, Gurchenko’s famous song “Our Youth Team” sounded every half hour.

Not only thousands of fans came to say goodbye to the actress, but also family friends, colleagues and relatives. Throughout the entire event, Lyudmila’s husband Sergei Senin was nearby. But, as journalists noted, many of the artist’s closest people were not among the mass of people saying goodbye. The actress’s daughter arrived only at 11 am with a huge bouquet of chrysanthemums - Maria did not take part in organizing the ceremony, but learned about her mother’s death from the newspapers. The daughter of Lyudmila Markovna did not join the VIP guests; she stood in the general queue, laid flowers at the coffin and left, without commenting on her action to the journalists who recognized her. The press did not see Gurchenko’s granddaughter and great-granddaughters at the ceremony.

The funeral took place on the same day. The legendary Lyudmila Markovna was buried at Novodevichy Cemetery in Moscow. Despite the fact that it was a gesture of respect and recognition, the choice of cemetery violated the last will of the actress herself. Lyudmila Gurchenko wanted her grave to be at the Vagankovskoye cemetery, next to her parents and her only grandson.

Six months later, in September, newspapers obtained permission from the artist’s relatives and published series of materials about Gurchenko’s last days, which included suicide notes from the artist’s personal diary.

In 2015, the biographical series “Lyudmila Gurchenko” was released, in which she decided to play the Russian cinema star. The director of the film, Sergei Aldonin, said that he simply fulfilled a promise that he accidentally made to Lyudmila Markovna. IN Last year of her life, he admitted to the actress that he would like to make a series about her, and Gurchenko approved this idea and practically blessed the director.

In addition, about famous actress more than two dozen were filmed documentaries, and many stars remember her Russian show business dedicated their own songs and performances of famous compositions that Gurchenko herself sang during her lifetime.

November 8, 2017, the only daughter of Lyudmila Markovna. Woman last days complained of being unwell and high temperature. On the way to the hospital, Maria became ill. The cause of death was heart failure.

Filmography

• "Carnival Night"
• "Girl with a Guitar"
• "Old Walls"
• "Straw Hat"
• "Twenty days without war"
• "Siberiada"
• "Heavenly Swallows"
• “The beloved woman of mechanic Gavrilov”
• "Station for two"
• "Love and pigeons"
• "My sailor"
• "Old Nags"

Aslan Akhmadov:

We met Lyusya ten years ago: I invited her to star in a photo project, where she was supposed to play the heroine ancient myth- Oedipus' wife Jocasta. There was a funny moment on set. Oedipus is worth it - very handsome guy. Lucy enters as Jocasta in a luxurious dress. And suddenly he says to me: “I don’t know how to approach him.”

“Well, you approach him from behind,” I advise. “Have they already had everything in terms of sex?” - "Was". - "Understood!" - She perked up and, raising both hands, put them on Oedipus’s back. We became instant friends during these shoots.

"A married woman cannot call an unmarried man"

“At the beginning of our communication, she called me exclusively through her husband,” Akhmadov emphasizes. - She said that married woman has no right to call an unmarried man just like that, without any business. So Seryozha always called and handed the phone to her. And then we became friends and communicated with Lyusya directly.

She loved going to restaurants, and I gladly accompanied her. I remember once asking: “Lucy, were you in the party?” She answered: “No. Party organizers constantly ran after me, first in one theater, then in another. I said: “I will never join the party in my life, I love restaurants!” But she didn’t like to cook herself. She said: “ My God, I hate wasting my time on this. You try, you cook, then they devour everything.”

- Is her famous thin waist the result of diets?

Lucy ate whatever she wanted, but she didn’t overeat. I ate everything with bread and butter and washed it down with sweet tea. By the way, she always drank tea and coffee exclusively from a saucer.

For the last five years I have been next to her literally every day, we talked from morning to evening.

- In the press you were called Gurchenko’s last lover, they wrote that you romantic relationship. How did Gurchenko herself react to such articles?

For Lucy to read the yellow press?! You're crazy! First of all, she didn't read it. Secondly, over the years professional activity so much had been written about her that she stopped being interested in it altogether.

- And yet, in one television interview, Lyudmila Markovna admitted: “Here is Aslan Akhmadov. The way he hugs me, no one has hugged me - I’m going crazy! He’s incredibly handsome.”

Lucy told me only one thing: “Well, you’re nothing like that, normal.”

- Wasn’t her husband jealous of you?

What kind of jealousy are we talking about? These are people dear to me. I am a Caucasian person, our dear people become family members.

I still haven’t mastered Kirkorov’s iPhone

- What did you give her?

Jewelry and uranium glass items for her collection.

- Did she give you gifts?

I'll tell you such a case. On February 12, my birthday, I was going to pick her up, and we were supposed to go to a restaurant to celebrate. And suddenly Lucy called and said that she had broken her leg. Sergei Mikhailovich, the husband, was not in Moscow at that moment. I rushed to her. The door was open. Lucy was lying on the floor in the bedroom and could not get up. It so happened that I was the first person to catch her in this situation. I'm calling the ambulance. And she told me: “Wait, here’s a gift for you, cufflinks.” Then I took Lucy to the hospital. Even with a broken leg, she first of all thought about my birthday, she didn’t want to ruin it. Lucy rarely thought about herself at all.

She talked about dad every day, remembered him hundreds of times a day. And the second person after dad, whom she remembered with love, was Yuri Nikulin. He was very dear to her. They starred together in the film “20 Days Without War”; during the filming they lived together in the same carriage for six months. This relationship brought them very close.

- In “Station for Two” she exposed her breasts in the frame. Did you regret it?

If she saw artistic meaning in a scene, then she did whatever was required. By the way, about Basilashvili, with whose hero she portrayed love in this film, she said that he was very shy, he tried to persuade the director: he didn’t need to kiss Gurchenko on camera. And he called Lucy as an ally: “Why should we kiss, we have grown-up children.” But the director said: it is necessary.

Of course, Lucy was imbued with each of her roles and always came up with nuances. In the film "Love and Doves" it was she who offered her heroine a red beret with a pompom. The detail began to play.

- Did she participate in choosing dresses during your photo shoots?

Certainly. She participated in everything - in choosing the story that was going to be filmed, in coming up with the character of the hero.

- Did you film it yourself on your mobile phone, maybe take a selfie?

Philip Kirkorov gave her an iPhone. She tried for a long time to master it, but she could not use the touch screen. Sometimes while on tour she took photographs. I still have some.

FROM THE "KP" DOSSIER

Lyudmila GURCHENKO was born in 1935 in Kharkov. My father was a musician, played the button accordion and sang at holidays, and his mother helped him. Graduated from VGIK. Success came after Eldar Ryazanov's film "Carnival Night". Then there were such paintings as “Girl with a Guitar”, “Straw Hat”, “Beloved Woman of Mechanic Gavrilov”, “Station for Two”, “Love and Doves”, etc. People's Artist of the USSR.

She was married six times. Her first husband is director Vasily Ordynsky, Gurchenko married him at the age of 18, the marriage lasted a year. The second is Boris Andronikashvili, screenwriter, cousin of Georgian directors Georgiy and Eldar Shengelaya. In this marriage a daughter, Maria, was born. The third husband is actor Alexander Fadeev, adopted son of the writer Alexander Fadeev. The fourth husband is singer Joseph Kobzon (married from 1967 to 1970). The fifth husband is Konstantin Kuperweis, the actress’s accompanist, the couple lived together for 18 years. The sixth husband (since 1993) is producer Sergei Senin.

APHORISMS

"If someone flatters you, prepare to be hit"

Lyudmila Gurchenko left many apt observations about life and profession:

• “The word “happiness” is similar to “now,” and therefore it cannot be something permanent.”
• “If they flatter you, then prepare for a blow.”
• “The female body is not an accordion for you: if I get fat, I’ll lose weight, if I get fat, I’ll lose weight... You have to control yourself.”
• “You can’t be a woman on the director’s command: “Be a woman!” Even if you go out in shorts, you’re still not a woman. But you can wrap yourself in a burqa up to your ears, and the hall will still shake, because a woman has come out! A special creature! "
• “My diet is more flour, less movement. If you want, then you can.”
• "I love cameramen. This men's work. This is not an actor who walks around with a mirror in his pocket. I don’t understand how you can fall in love with an actor!”
• “The past, no matter how distant it may be, lives inside.”
• “Applause gives you wings. Liquid applause takes them away. When you hear the click of your own heels, it’s a failure.”
• “Life is such a thing that you seem to be young, young, young, and then bam - and it’s over. You look back and think about how much you haven’t done because you were afraid, shy, cowardly. There is no need to be afraid of anything. Take risks. Even if you make a mistake. This is life. And the main thing, of course, is to love each other."

Lyudmila Markovna Gurchenko. Born on November 12, 1935 in Kharkov - died on March 30, 2011 in Moscow. Soviet and Russian theater and film actress, pop singer. Laureate of the State Prize of the RSFSR named after. Vasiliev brothers (1976). State Prize Laureate Russian Federation(1994). People's Artist of the USSR (1983).

Lyudmila Gurchenko was born in Kharkov.

Father - Mark Gavrilovich Gurchenko (1898-1973), a laborer by birth.

Mother - Elena Aleksandrovna Simonova-Gurchenko (1917-1999), from a family of repressed nobles.

Maternal grandfather Alexander Prokofievich Simonov is from an ancient Russian family, from which came the venerables Cyril, Stephen, Theodore and the patron saint of student youth, Sergius of Radonezh. Continuing the family tradition, he was the director of a gymnasium in Moscow. However, after 1917 he did not cooperate with the new regime and went to his family estate Borodulino in the Smolensk region. On November 11, 1928, he was arrested by the Smolensk OGPU and sentenced by a special meeting at the OGPU Collegium on February 1, 1929 under paragraph 10 of Art. 58 to 3 years of deportation. Rehabilitated July 21, 1989

Lyudmila Markovna's grandmother was also a noblewoman. Oona was a mother of eight children, a housewife, and managed an estate in the Smolensk province taken away after the revolution and her own house in Moscow. After she found out that her grandfather, who was exiled to Siberia by the Soviet government, had cheated on her, she refused to forgive him and left for Kharkov. There her daughter met Mark Gavrilovich, a hereditary Russian peasant from the Smolensk region, all of whose ancestors lived in the same village for centuries.

Cousin - Anatoly Egorovich Gurchenkov (b. 1941), lives in the village of Dunaevshchina, Shumyachsky district, Smolensk region.

Cousin - Valentina, lives in Estonia.

From the day she was born until the start of the Great Patriotic War, Lyusya Gurchenko lived with her parents in Kharkov in a one-room semi-basement apartment on Mordvinovsky Lane.

Before the start of the war, Lyudmila Gurchenko’s parents worked at the Kharkov Philharmonic. My father was a professional musician: he played the button accordion and sang at matinees and holidays, and his mother helped him. Despite his disability and non-conscription age, my father went to war.

Lyudmila ended up in German-occupied Kharkov with her mother. Already at that age, according to her, she sang and danced in front of the Germans in order to get at least some food. Young Gurchenko's repertoire was mainly German operettas. Mainly, in front of the Germans during the first occupation of Kharkov, the girl Lyusya Gurchenko performed the repertoire of Marika Rökk. After that, I contacted the punks at the market in Kharkov, occupied by the Germans for the second time. It was only by miracle that she did not die as a result of the raids, when, in response to the actions of the Red Army and partisans, the Nazis killed random people in gas chambers - usually girls and women caught in the Kharkov market.

After the final liberation of Kharkov on August 23, 1943, on September 1 she went to Ukrainian school (currently a gymnasium) No. 6, which was located in the courtyard of the house where she then lived. At school she fell in love with the Ukrainian language, similar to the language of the Smolensk region. In the fall of 1944 she entered the Beethoven Music School.

In 1953, after finishing her tenth year, she went to Moscow and entered VGIK, in the workshop of Sergei Gerasimov and Tamara Makarova. During the diploma course, she played the role of Keto in the operetta “Keto and Kote” and the role of Imogen in the stage composition “The Trap” based on Theodore Dreiser, in which she sang, danced, and played the piano. She graduated from VGIK in 1958.

She made her film debut in Jan Fried's film The Road of Truth (1956). “I didn’t come here to remain silent!” - this was the first phrase of Lyudmila Gurchenko in the cinema. “This is exactly what I wanted - to come to the cinema, not to be silent, not to go with the flow, but to create a wave myself,” the artist later said in one of her interviews.

In the same year, a New Year's comedy by a young director was released on the screens of Soviet cinemas. "Carnival Night", in which Gurchenko played the main role.

The film was a huge success and was loved by the audience for many years, and thanks to the role of Lenochka Krylova, Gurchenko became the all-Union favorite and idol of the generation. “Carnival Night” broke all box office records, selling 48.64 million tickets. In the USSR, the song “Five Minutes” became a kind of New Year’s anthem. Few people know that Lyudmila Gurchenko might not have played in this film, since the actress failed her screen test.

Gurchenko later recalled: “I walked with a bouncing gait along the corridor of the Mosfilm studio.” Ivan Aleksandrovich Pyryev walked towards him. I wiggled even more and raised my chin even higher. Pyryev raised his head, saw me, winced, and then his face became interested. He told me to follow him. He brought me to the third pavilion, where the filming took place, approached the chief cameraman, and said that here is an actress, just shoot her better - and there will be a person. That’s how I accidentally got into the picture.”

After Gurchenko’s great success in “Carnival Night,” a film script was written especially for her "Girl with a Guitar" counting on her popularity, however, “Girl with a Guitar” was not such a success, after which Gurchenko was given the “stamp” of an actress of the light dance genre.

Financial situation It was difficult for the young actress, so she was forced to earn money by performing concerts in factories, mines, traveling around the country, and accepted offers to participate in creative meetings with audiences, the so-called acting “hack jobs.” This served as a formal reason for persecution, and the “revelatory article” “Tap dancing to the left” appeared in the Soviet press. In 1957, during the filming of the film “Girl with a Guitar,” Gurchenko was called by the USSR Minister of Culture Nikolai Mikhailov and offered to cooperate with the KGB during the VI International Festival of Youth and Students. It was the refusal to this offer that became the real reason for the persecution of Lyudmila Gurchenko.

According to Gurchenko, this period of oblivion lasted 10 years, but she still had roles at that time, since there are no breaks in Gurchenko’s filmography for more than one year: out of 54 years of her film career there were only twelve years (in the second half of the 90s and in the 2000s) when she was not filming.

Between 1958 and 1973, Gurchenko starred in 9 films: “Roman and Francesca”, “Walking”, “Bicycle Tamer”, “Workers’ Village”, “No and Yes”, “White Explosion”, “My Good Dad” ", " Summer dreams", "Tobacco Captain". These films were not very successful.

Lyudmila Gurchenko herself spoke about this period of her life: “I experienced a lot of cruelty. There is cruelty in the fact that in my best period, when a person, a woman flourishes, when there is health, and... ten years without filming! Could anything be worse after this? Nothing!".

During this period of her life, Lyudmila Gurchenko tries to act in a new dramatic role for her: “Baltic Sky” (1961) - the film was even presented at the Venice International Film Festival, “Workers’ Village” (1966), but the roles in these films were rather an exception , there were mainly episodes (bright, memorable, but episodes): “The Marriage of Balzaminov” (1964), “The Road to Rübetzal” (1970) and “The Crown Russian Empire, or Elusive Again" (1971).

In the 1960s and early 1970s, Gurchenko was little visible, even while continuing to act regularly. This continued until the release of the film in 1974 "Old Walls", in which the actress played the main role - the director of a weaving factory.

Lyudmila Gurchenko gradually became one of the leading actresses of Soviet cinema. But she continued to be invited to star mainly in musical comedies and operetta films. Musical films with Gurchenko's participation were released one after another. Lyudmila Markovna successfully played and sang in “Tobacco Captain” (1972), “Straw Hat” (1974), “Sky Swallows” (1976) and “Mama” (1976).

It so happened that, having agreed to star in the musical film “Mama,” Gurchenko received an offer to play the role of a general’s wife in the film “An Unfinished Piece for a Mechanical Piano,” and she had to refuse Nikita Mikhalkov. Filming “Mom” brought her not only creative success, but also new challenges.

On June 14, 1976, while filming on ice, clown Oleg Popov fell and broke the actress’s right leg. A closed fracture with displacement threatened with disability - the leg was assembled piece by piece from 19 fragments. Immediately after the most difficult operation, Gurchenko continued filming. But the actress was able to dance and walk in stilettos again only after many years of training and special physical exercises.

In addition to comedies, her television benefit performances and special music programs were regularly released.

Lyudmila Gurchenko tried to break out of the role imposed on her; she wanted to play dramatic roles. And in the end she achieved her goal.

In 1976, she was invited to the main role in the film "Twenty days without war", in which Gurchenko played one of her best dramatic roles. All the brighter seems the contrast between her two characters in films filmed within one year of each other: the costume designer Nina from “Twenty Days Without War,” who lived in evacuation during the war, and the frivolous hatter Clara from “The Straw Hat.” The actress’s partner in the film was, by that time he had also established himself primarily as a comedian. In one of her interviews, Gurchenko gratefully recalled how Nikulin helped her on the set of this film: “If it weren’t for him, I don’t know how I would have survived this difficult film, which was filmed for almost two years.”

Gurchenko's next outstanding work was the film "Siberiada" director In 1979, the film was awarded the Grand Prix at the Cannes Film Festival.

In 1979 the film was released "Five Evenings". In the role of Tamara Vasilievna - a lonely woman who suddenly met her beloved man from whom the war separated her - Gurchenko's performance is dramatic, almost tragic. Nikita Mikhalkov filmed all five evenings of his melodrama in three apartments and on staircase landings.

One of best works actresses became a film "Station for two", in which she played the role of station waitress Vera Nefedova. For this film, she was recognized as the best actress of 1984 in a poll by the Soviet Screen magazine.

Lyudmila Gurchenko in the film "Station for Two"

Also among the roles of the 80s, viewers loved her roles in such films as Mechanic Gavrilova’s Beloved Woman (Margarita Sergeevna Solovyova), Vacation at her own expense (Ada Petrovna), Flights in Dreams and in Reality (Larisa Yuryevna Kuzmina), Love and Doves (Raisa Zakharovna).

Several records with songs performed by Gurchenko were released.

On November 12, 2010, Lyudmila Gurchenko celebrated her 75th birthday. Prime Minister Vladimir Putin, President Dmitry Medvedev, Belarusian leader Alexander Lukashenko, as well as many famous artists congratulated her on her birthday. The actress celebrated her birthday on stage.

Especially for Gurchenko’s anniversary, the NTV channel filmed the benefit performance “Markovna. Reboot". In this show, Gurchenko transformed into the character, sang the song “Birthday”, performed duets with modern musicians and shocked the audience with extravagant experiments with style.

Lyudmila Gurchenko - Birthday

In February 2011, Gurchenko took part in the filming of the film “Legend. Lyudmila Gurchenko" in Kyiv. This was one of the actress’s last filmings, Gurchenko’s 96th film work. The film is based on the biographical monologues of the actress and their playful reproduction, as well as ten song videos that became the embodiment of a certain stage in her life. “The film tells about my whole life, starting from the age of 20,” said Gurchenko.

Death of Lyudmila Gurchenko

On February 14, 2011, Gurchenko slipped near her house and broke her hip. She was hospitalized and had surgery the next day surgery. Discharged on March 6.

On March 30, the actress’s condition worsened, which was caused by pulmonary embolism. The ambulance team, which arrived 21 minutes later, was unable to resuscitate her, and at 19:28 the death of the actress was recorded. This was confirmed by Gurchenko’s husband Sergei Senin.

Russian President Dmitry Medvedev and Prime Minister of the Russian Federation Vladimir Putin expressed condolences to the actress's family.

Farewell to Lyudmila Gurchenko took place on April 2 at the Central House of Writers in Moscow. The actress was wearing a dress she had recently made. The posthumous makeup was done by Aslan Akhmadov, a friend of Lyudmila Markovna. The funeral took place on the same day at the Novodevichy cemetery, contrary to the actress’s wishes to be buried next to her parents and only grandson at the Vagankovskoye cemetery.

Lyudmila Gurchenko is buried next to other actors - and.

Funeral of Lyudmila Gurchenko

On September 30, 2011, six months after the death of the actress, with the permission of the family, a number of materials about those days were published in newspapers, including the latest entries in personal diary L.M. Gurchenko herself.

On August 4, 2012, a monument made of black granite and white marble was inaugurated at the grave of Lyudmila Gurchenko (authors Yuri Khorovsky, Yuri Shabelnikov).

In Kharkov, at the school where Lyudmila Gurchenko studied, there is a Memorial plaque in memory of her.

On November 11, 2015, the day before the actress’s 80th birthday, a memorial plaque by sculptor Yuri Khorovsky was unveiled in Moscow on the house where Lyudmila Gurchenko lived from 2004 to 2011 (Trekhprudny Lane, 11-13, installed on the Bolshoy Kozikhinsky side lane, 28-30).

From November 11, 2015 to January 10, 2016, the Gallery of Classical Photography in Moscow hosted a celebration dedicated to the 80th anniversary of Lyudmila Gurchenko. The author of the project and all the photographs presented in the exhibition is Aslan Akhmadov, a photographer and friend of the artist.

In the fall of 2015, a serial film was released, the release of which was timed to coincide with the 80th anniversary of the great actress. Main role performed.

Lyudmila Gurchenko's height: 173 centimeters.

Personal life of Lyudmila Gurchenko:

She was married six times.

First husband - (1923-1985), film director. She married him at age 18. The marriage lasted a little over a year.

Vasily Sergeevich Ordynsky - the first husband of Lyudmila Gurchenko

Fifth husband - (b. 1949), musician and accompanist of the actress. They lived in a de facto (unregistered) marriage for 18 years - from 1973 to 1991.

Her sixth husband is producer Sergei Mikhailovich Senin (b. 1961), whom she met during the filming of the film “Sex Tale.” They lived in marriage from 1993-2011.

Filmography of Lyudmila Gurchenko:

1956 - Road of Truth - Lucy
1956 - - Lena Krylova
1956 - The heart beats again... - Tanya Balashova
1956 - A man was born - Nadya Smirnova (voice)
1958 - Girl with a Guitar - Tanya Fedosova
1959 - Stars meet in Moscow - performer of a song in a duet with Mark Bernes
1960 - Caught Friar - Isabella
1960 - Roman and Francesca - Francesca Carrodini
1961 - Baltic Sky - Sonya Bystrova
1961 - Walking - Khristina Prityka
1961 - Man from Nowhere - Lena
1963 - Bicycle Tamers - Rita Laur
1964 - Marriage of Balzaminov - Ustenka
1965 - Workers' village - Maria Pleshcheeva
1966 - A bridge is being built - Zhenya
1966 - No and Yes - Lyusya Korableva
1967 - Hell Exploded - Greta
1968 - Living Corpse - Masha (voice)
1969 - White Explosion - Vera Arsenova
1969 - Moscow in notes
1970 - My good dad - Valentina Nikolaevna Ivanova
1970 - One of Us - Klavdiya Ovcharova
1970 - Experiment - police major
1971 - Road to Rübetzal - Shura Solovyova
1971 - Crown of the Russian Empire, or Elusive Again - Agrafena Zavolzhskaya
1971 - Shadow Julia - Julie
1971 - What to do? - Woman in black
1972 - Karpukhin - Ovsyannikova
1972 - Summer Dreams - Galina Sakhno
1972 - Tobacco Captain - Ninish
1972 - Circus lights up - Lolita
1973 - Dacha - Lera (“Stepanych”)
1973 - Door without a lock - Anna Ivanovna
1973 - Children of Vanyushin - Claudia Shchetkina
1973 - Old walls - Anna Georgievna Smirnova
1973 - Open Book - Glafira Sergeevna Rybakova
1974 - Benefit performance of Savelia Kramarova - cameo
1974 - Benefit performance of Sergei Martinson - cameo
1974 - Straw Hat - Clara Bocardon
1975 - Benefit performance of Larisa Golubkina - Mrs. Pierce
1975 - Diary of a school director - Inna Sergeevna
1975 - Step towards - Valentina Stepanovna
1976 - Magic Lantern - Neighbor/Mother/Wild West Girl
1976 - Twenty days without war - Nina Nikolaevna
1976 - Mom - Mom Goat / Aunt Masha
1976 - Heavenly Swallows - Corina
1976 - Crime - Lyuba, artist
1976 - Family melodrama - Valentina Barabanova
1976 - Sentimental novel - Maria Petrichenko
1976 - Strogoff - Capitolina
1977 - Second attempt by Viktor Krokhin - Lyuba Krokhina
1977 - Feedback - Margarita Illarionovna Vyaznikova
1978 - Benefit performance of Lyudmila Gurchenko - Actress / Old woman / Ninish / Robber / Napoleon / Babette / Elvira / Pirate / Shepherdess / Nun / Seamstress / Girl / Jenny / Shoemaker / Press secretary
1978 - Handsome Man - Susanna
1978 - Islands in the Ocean - Hudson's wife
1978 - Learning White light- stranger
1978 - Five Evenings - Tamara Vasilievna
1978 - Sibiriada - Taya Solomina
1978 - When leaving - go away - Alisa Sulina
1979 - A few days in the life of I. I. Oblomov - nanny of Ilya Oblomov
1980 - Ideal husband- Laura Cheveley
1980 - mf Our friend Pishichitai (Issue 3) - Typo (voiceover)
1980 - Particularly important task - Elvira Pavlovna Lunina
1980 - Songs of War - cameo
1981 - Mechanic Gavrilov’s beloved woman - Margarita Sergeevna Solovyova
1981 - Vacation at your own expense - Ada Petrovna
1982 - Station for two - Vera Nikolaevna Nefedova
1982 - Favorite songs - cameo
1983 - Highway - Kapitolina Nikolaevna Gvozdeva
1982 - Flights in dreams and in reality - Larisa Yuryevna Kuzmina
1983 - Shurochka - Raisa Peterson
1983 - Recipe for her youth - Emilia Marti
1985 - Applause, applause... - actress Goncharova
1984 - Love and Doves - Raisa Zakharovna
1984 - Prokhindiada, or Running in Place - Ekaterina Ivanovna Lyubomudrova
1987 - The Dreamers - Apollinaria Spencer
1987 - The Contender - Carol
1988 - Road to Hell - Martha Holman
1988 - Burn - Anna Timofeevna Rumyantseva
1989 - Was there Carotene? - Kurnatova-Borgia
1989 - A young man from a good family - Arina’s mother
1989 - Premiere of the year
1990 - My sailor - Lyudmila Pashkova
1990 - Our dacha - Lyudmila Kozlova
1990 - Inhuman, or Hunting is prohibited in paradise - Zoya Mikhailovna Sherstobitova
1991 - Vivat, midshipmen! - Johanna
1990 - Imitator - singer
1991 - Forgive us, stepmother Russia! - Natalya Fedorovna Zimina
1991 - Sextale - Diana
1992 - White clothes - Antonina Prokofievna Tumanova
1992 - Midshipmen 3 - Johanna, mother of Princess Fike
1992 - Farewell tour - Nina Vladimirovna
1993 - I love
1993 - Listen, Fellini! - Faith
1994 - Prokhindiada 2 - Ekaterina Ivanovna Lyubomudrova
1997 - Old songs about the main thing 2 - star / resident of the yard
2000 - Old nags - Elizabeth
2001 - Women's happiness - Margarita
2001 - Old songs about the main thing (postscript) - mysterious lodger
2002 - Shukshinsky stories (short story “Shameless”) - Malysheva
2005 - Twelve Chairs - Elena Bour
2004 - If we go camping tomorrow... - Aunt Gala
2004-2005 - Be careful, Zadov! - Antonina Maksimovna
2005 - ATC-2. The boss of the Crimean mafia is in power
2005 - Capital punishment - boss of the Crimean mafia
2005 - Take Tarantina - Anna Vasilievna
2005 - Gorynych and Victoria - Eleanor
2006 - 1st Ambulance - Raisa Zakharovna
2006 - Carnival night 2, or 50 years later - cameo
2007 - First at home - cameo
2009 - Motley Twilight - Anna Dmitrievna Semyonova
2010 - Markovna. Reboot - cameo
2011 - Legend. Lyudmila Gurchenko - cameo

She acted as director of the film "Motley Twilight" (2009, together with Dmitry Korobkin) and composer for the films "My Sailor Girl" (1990), "I Love" (1993), "Motley Twilight" (2009).

Discography of Lyudmila Gurchenko:

1979 - Benefit
1980 - Music of Soviet cinema
1982 - Songs of War
1984 - Favorite songs
1985 - Recipe for her youth
1992 - I can’t believe it!

1994 - I love
1995 - Good mood
1996 - Sad record (What does love know about love...)
1997 - Songs of War
1998 - Bureau of Happiness (musical)
2001 - Farewell, Twentieth...
2001 - Actor and song. Lyudmila Gurchenko
2002 - Madeleine, calm down!
2004 - Life is like smoke...
2006 - Don't be sad!
2011 - White snow

Video clips of Lyudmila Gurchenko:

1956 - Five minutes
1969 - Maria
1997 - “Diva” duet with Alla Pugacheva
2001 - “Do you want it?”
2002 - Kharkov
2004 - St. Petersburg-Leningrad (duet with Boris Moiseev)
2005 - I Hate (duet with B. Moiseev)
2006 - Prayer (director Fyodor Bondarchuk)
2008 - Mayak (duet with Mikhail Boyarsky)
2010 - Moscow windows
2011 - Waiting
2011 - We live somehow without passion
2011 - “Do you want it?”
2012 - I’m letting you go - Philip Kirkorov (archive footage with Lyudmila Gurchenko)

Bibliography of Lyudmila Gurchenko:

1982 - My adult childhood
1987 - Applause
2002 - Lucy, stop!

Theatrical works of Lyudmila Gurchenko:

Moscow Sovremennik Theater:

1963 - “Without a Cross” by V. F. Tendryakov; production by Oleg Efremov - milkmaid
1963 - “On the wedding day” by V. S. Rozov; production by Oleg Efremov - Mike
1964 - “Elder Sister” A. M. Volodin; production by Oleg Efremov
1964 - “Cyrano de Bergerac” by E. Rostand; production by Oleg Efremov and Igor Kvasha - Roxana
1964 - “Always on sale” by V. Aksenov; production by Oleg Efremov - the trumpeter's wife
1965 - “The Naked King” by E. L. Schwartz; production by Oleg Efremov and M. Mikaelyan - governess
1966 - “Forever Alive” by V. S. Rozov; production by Oleg Efremov - Tanechka

Theater-studio of film actor:

1964 - “Red and Black” by V. Stendhal; production by Sergei Gerasimov - Mathilde de la Mole
1965 - “Kiss me, Kat!” Porter Cola; production by David Livnev - Bianca
1966 - “The Fool” by Lope de Vega; production by Evgeny Radomyslensky

School of Modern Drama:

1991 - “Whose tailcoat are you wearing?” S. Nikitin, D. Sukharev (based on the “Proposal” of A.P. Chekhov); production by Joseph Raikhelgauz - the bride

Anton Chekhov Theater:

1993 - “Honoring” B. Slade; production by Leonid Trushkin
1997 - “Unattainable” by S. Maugham; production by Leonid Trushkin - Caroline Ashley
1997 - “Emigrant Pose” by G. Slutsky; production by Leonid Trushkin - banker

Moscow Academic Theater of Satire:

1995 - “After the battle, the field of victory belongs to the marauders” by E. S. Radzinsky; production by Andrey Zhitinkin - Inga Mikhaleva

TO "DUET":

1998 - “Bureau of Happiness”; production by Andrey Zhitinkin - Margarita
2001 - “Madeleine, calm down!” V. Aslanova; production by Roman Kozak - Madeleine Verdurin
2004 - “The Accidental Happiness of Policeman Peshkin”; production by Andrey Zhitinkin - Valentina Peshkina
2007 - “The Kidnapping of Sabyaninov” by P. Gladilin; production by Valery Sarkisov - Angelina
2008 - “PUB” Presnyakov brothers; production by the Presnyakov Brothers - El G

Boris Borisovich Andronikashvili (Georgian: ბორის ბორისის ძე ანდრონიკაშვილი), born Pilnyak (Andronikashvili-Pilnya) j). Born on October 28, 1934 in Moscow - died on July 9, 1996 in Moscow. Soviet writer, screenwriter, actor. Second husband of Lyudmila Gurchenko.

Father - Boris Andreevich Pilnyak (real name - Wogau, German Wogau) (1894-1938), Russian Soviet writer, prose writer. April 21, 1938 convicted by the Military Collegium Supreme Court USSR on charges of spying for Japan and sentenced to death, executed on the same day in Moscow.

Mother - Kira Georgievna Andronikashvili (Georgian: კირა გიორგის ასული ანდრონიკაშვილი) (1908-1960) ), Soviet actress and film director, Honored Artist of the Georgian SSR, princess.

Maternal grandfather - Georgy Alexandrovich Andronikov (1875-1911), prince, hussar colonel.

Maternal grandmother - Ekaterina Semyonovna Slivitskaya (1877-1947).

Maternal aunt - Nato Vachnadze (née Andronikashvili) (1904-1953), Soviet Georgian actress, People's Artist Georgian SSR, Honored Artist of the RSFSR.

Cousins ​​(sons of Nato Vachnadze) are film directors Eldar Nikolaevich Shengelaya (born 1933) and Georgy Nikolaevich Shengelaya (born 1937).

When Boris was three years old, his father, who was one of the most published writers of the USSR, was arrested on trumped-up charges of a state crime - espionage for Japan (he was in Japan and wrote about this in his book “The Roots of the Japanese Sun”), in 1938- m sentenced to death.

His mother was also repressed. Shortly before her arrest, she managed to take three-year-old Boris to Georgia, where he lived for 7 years in the family of his aunt, Nata Vachnadze. Kira Georgievna served time in the Akmola camp for the wives of traitors to the motherland.

The parents were rehabilitated in 1956.

After graduating from seven-year school, he went to Batumi, where he entered the Batumi Naval School.

In the early 1950s, he moved to Moscow, where he entered the screenwriting and film studies department of VGIK, from which he graduated in 1959.

Since 1957, he acted in films, making his debut in the role of Prince Archil in the film “Otarova’s Widow” directed by Mikhail Chiaureli based on the story of the same name by Ilya Chavchavadze.

Boris Andronikashvili in the film "Otarova's Widow"

Later he played several small roles in other films.

In 1974, he acted as a screenwriter for the film “Captains,” which was directed by Tamaz Gomelauri. The film tells about young men who are finishing school, about a difficult life milestone when they need to decide the most important thing - the choice of profession.

Member of the Writers' Union of the RSFSR since 1979.

Personal life of Boris Andronikashvili:

First wife - (1935-2011), Soviet and Russian actress and singer, People's Artist of the USSR. The marriage lasted during 1958-1960.

The couple had a daughter, Maria, on June 5, 1959 (later Koroleva, died in 2017). She had a son, Mark (1982-1998), and a daughter, Elena (born 1983).

Lyudmila Gurchenko said about Boris Andronikashvili: “Despite his refined appearance, from which you don’t expect anything deep, he was Difficult person with a set of extraordinary qualities - large and small."

He was in a civil marriage with an actress (1925-2008). Their relationship lasted about 5 years.

Mordyukova said about Boris Andronikashvili: “Well, yes, a graduate of VGIK, a screenwriter, a person, serious in all respects, and how good he was! People, when they first saw him, were speechless for five minutes - outstanding appearance!.. Boris Andronikashvili was Socratic a man of sorts: a philosopher, a talker, he read Byron in English... We lived for about five years, we were all planning to move in together, but... we never got married...".

The second wife, Rusudan Khantadze, is an artist.

The marriage produced two children: Kira Borisovna Andronikashvili (born 1970) and Alexander Borisovich Andronikashvili (born 1973).

Rusudan Khantadze - wife of Boris Andronikashvili

Filmography of Boris Andronikashvili:

1957 - Otarova's widow - Prince Archil
1966 - Game without a draw - episode
1975 - Don't believe that I'm no more
1977 - Oboe (short)
1988 - Life of Don Quixote and Sancho
1996 - Death of Orpheus (ორფეოსის სიკვდილი)
1998 - Here comes the dawn (Ak tendeba)

Scripts by Boris Andronikashvili:

1974 - Captains

Bibliography of Boris Andronikashvili:

1973 - month of August. Novels and stories
1977 - Red horses. Stories
1977 - Tangerine Coast. Novels and stories
1984 - Roses on the March. Novels and stories
1987 - Reading pages of the past...
1989 - Don Alonso: novel, stories
1989 - About my father
1992 - Hopes Golden Pets